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Măcelaru's eclectic programming elicits passionate performances from the Orchestre National de France, and Randall Goosby shows his versatility with elegant and impassioned artistry. 

Sunny delight for Debussy and Mendelssohn; squally showers for Auerbach's Chimera: a summer programme from the RSNO that's as changeable as the weather.

Dalia Stasevska and Randall Goosby are sensational in a programme that featured orchestral chestnuts by Bruch and Dvořák. 

Musical connections between Brahms, Dvořák and Price as Randall Goosby joins the Rotterdam Philharmonic – both as soloist and orchestral member. 

There is a feast of inspiration for composers in the story of Romeo and Juliet, Tchaikovsky and Prokofiev each responding differently. Randall Goosby provides an excellent contrast in Mozart’s musical sunshine.

Conductor Christian Reif and violin soloist Randall Goosby together make highly satisfying debuts with the orchestra in a program comprising drastic juxtapositions.

Langrée's incoherent but enjoyable program skips through five centuries of music history from Lully to Valerie Coleman. 

The young violinist continues the ongoing rediscovery of American composer Florence Price, premiering new editions of her First and Second Violin Concertos.

Goosby's decisive Bruch strikes the right tone in a programme which includes the world premiere – of sorts – of Stuart Murray Turnbull's Odyssey. 

The Buffalo Philharmonic Orchestra, conducted by JoAnn Falletta, turn in an elegant performances that included Ellen Taaffe Zwilich’s Prologue and Variations, as well as a Joseph Bologne de Saint-Georges Violin Concerto.