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Ulrich Peters' 2024 production justifies the artistic value of Handel’s unjustly neglected opera and the literary value of Metastasio's libretto.

With dazzling set designs and powerhouse sopranos, Karlsruhe’s Rinaldo upholds the opera's Baroque fantasy allure in a flawed yet fascinating production, conducted by Rinaldo Alessandrini. 

The problem with on-stage vulgarity is that, while it might be sophisticated and knowing satire, it ends by being what it is parodying.

An astringent sorbet between the courses of a heavily sauced Wagnerian banquet.