Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Benjamin Millepied

Alexei Ratmansky and Justin Peck are all the more impressive among choreographers working today because of how many of their works seem destined to stay in the repertoire for a long time to come.

From the ethereal to the galavanting, the program offered a spectrun of emotions delivered with precise technique and abandoned energy. 

There is some good dancing in Benjamin Millepied's I Felt the Earth Move but it missed the mark as far as emotional content is concerned.

Open-ended works provide different angle on Ballet across America

The company of ten is filled with very well trained dancers, mostly from Juilliard’s highly regarded dance program, and they are all quite good. 

LA dance project tours to London and presents a mixed bill of works by Millepied and Cherkaoui at the celebrated Sadler's Wells

Benjamin Millepied, choreographer for the movie Black Swan, presents his company L.A. Dance Project at the Wallis Annenberg Center of the Performing Arts.

A classically rooted company that is looking toward the future.

Of all the dance companies I’ve seen in the past year, this is the one I would most like to see over and over again.

Ivan Talijancic discusses L.A. Dance Project's New York debut, a Millepied - Peck - Forsythe mixed bill.

Famous as a choreographer and as the star of the award-winning film Black Swan, as well as being the husband of Natalie Portman, there is a weight of expectation on the work of Benjamin Millepied. He will take up the position of Director of Dance at Paris Opera Ballet in 2014, but his latest project, performing at Sadler’s Wells this week, attempts to break free from classical ballet tradition.

The American Ballet Theatre return to the stage of Sadler’s Wells this week with two mixed programmes of 20th and 21st century ballet. The first programme, of four one act pieces, explores the relationship between music and dance, beginning and ending with a UK premiere.Seven Sonatas choreographed by Alexei Ratmansky, ABT’s artist in residence and former Bolshoi director, opens the programme.