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A witty, insightful production at the Coliseum fizzes with comedy and pathos. 

Edward Gardner conducts a richly entertaining account of Berlioz's masterpiece in Birmingham

John Wilson oversees a glossy, superficial take on early 20th-century works from England and the USA.

Jonathan Miller's production of La bohème is revived by ENO and features an important house debut. 

Classical Opera’s performance of one of Mozart’s earliest operas throbbed with youthful energy; a strong cast brought the humour to life and made up for any weakness in the score.

Despite the entertainment value and striking imagery, Kramer's production is a surprisingly dull affair, with curiously little chemistry between the lead couple.

Christian Gerhaher’s experience in a role he knows well rescued an evening of mitigated pleasures.

Renaud Doucet and André Barbe’s La bohème for Scottish Opera set in the jazz-age is packed with Parisian life. 

A lack of inspiration and dull staging is a serious hindrance to the second of Glyndebourne's touring productions.

The away leg of Rossini's “Italian girl - Turkish guy” fixture makes for a thoroughly enjoyable evening at Garsington, without ever quite bursting into flame.

A polished production of The Marriage of Figaro from some of the potential opera stars of the future.

Does the devil get the best tunes? Nick Shadow steals the show in the Royal Academy's production of The Rake's Progress.

Royal Academy Opera's thoroughly competent Suor Angelica precedes a fabulously entertaining Gianni Schicchi, with a top drawer performance from Haobin Wang in the title role.