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René Jacobs and Sunhae Im tackle Handel’s Il trionfo del Tempo e del Disinganno in Dortmund’s acoustically dry Reinoldihaus. Despite challenges, Im’s radiant soprano and B’Rock Orchestra’s basso continuo group shine. 

In the hands of B'Rock Orchestra and conductor René Jacobs, Telemann's polyglot opera, once thought lost to time, becomes more than just a curiosity.

Though ambitious and occasionally arresting, this revised and expanded take on the Purcell classic suffers from subtraction by addition.

Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.

Anna Teresa De Keersmaeker's production of Six Brandenburg Concertos at the Park Avenue Armory in New York City disappoints

Under the baton of René Jacobs, B’rock Orchestra gave an inspired performance  that ought to contribute in giving Il ritorno d’Ulisse in Patria the place it deserves in the standard repertoire.

At the Holland Festival, the performance of Haydn’s Die Schöpfung with film images by Julian Rosefeldt does not quite unfold as the spectacle it promises on paper.

An opera that pokes fun at opera seria? An opera that features backstage preparations for a show, followed by an opera within an opera? No, it’s not Strauss' Ariadne auf Naxos. 

B'Rock bring an interesting programme of Italian Baroque to their debut at the Proms.

Holland Festival revives Pierre Audi’s 2012 production of Handel’s Orlando. Conducted by baroque specialist René Jacobs and featuring an strong cast, it is a great occasion to witness American countertenor Bejun Mehta in what has become, over the past decade, his signature role.