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With Iréne Theorin's Brünnhilde rejuvenated, the Ring receives a worthy finale at the Budapest Wagner Days.

Mélanie Huber’s production misses the mark for Donizetti’s silly comedy, sung by a solid cast.

Marking the beginning of a new artistic direction, the Komische Oper's new production of Nono's Intolleranza 1960 proves a success, with director Marco Štorman's deep rethinking of the theatre stage.

An Elektra conducted like Mendelssohnian fairy music, sung not shouted, just as Strauss required.

To outwit death and attain immortality is a dream as old as human history. But isn’t it precisely the finite nature of life that makes it so precious?

Mascagni's stirring music and gripping storyline cast their spell over a festival audience at the edge of the Baltic Sea.

Cecilia Bartoli once again takes Zurich by storm under the guiding hand of Maestro William Christie for a wonderful evening of Handelian fun.

A wonderful showcase of operatic voices at the 37th International Hans Gabor Belvedere Singing Competition in Latvia. 

Just as rereading a favourite novel can give the reader new literary impulses to explore, so, too, can the revival of a popular ballet offer a fresh interpretation.

A delightful opportunity to hear nine young singers at The Met, all of whom will likely have fulfilling careers.