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Purcell, Mozart... then a half hour of encores. Grigory Sokolov holds the Concertgebouw spellbound. 

Colours poured in through a metaphorical stained glass window in Verbier's church.

Musical pilgrims gathered in Verbier's church to listen to the cult Russian pianist in a programme of Schumann and Chopin. 

Grigory Sokolov’s annual visit to the Konzerthaus – always in December, always half-lit, always a lengthy affair – is an object of cultish appreciation for the Viennese, who are drawn to mystique like moths to a flame.