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The Orchestre Philharmonique de Radio France impress mightily under the baton of their new Principal Guest Conductor. Gidon Kremer disappoints in Weinberg.

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

Johann Strauss II's Die Fledermaus, was never meant to challenge grand opera for profundity and Barrie Kosky pokes fun at Viennese high society in his riotous staging. 

The Deutsche Oper's production of Rossini's sparkling occasion piece is big on gags but short on stardust.

The opening production of the 2017 Savonlinna Opera Festival had an optimistic message, strongly delivered by a cast led by the exceptional Konstanze of Hulkar Sabirova.

The Deutsche Oper's vintage production of Lucia di Lammermoor is fabulously eerie and strongly performed. 

Robert Wilson said, when preparing to stage Helmut Lachenmann’s deeply intricate and sensually vibrant opera Das Mädchen mit den Schwefelhölzern, that he could not imagine staging it in a typical opera house. He could not have found a better hall than the Jahrhunderthalle in Bochum, a medium-sized town about an hour north-east of Düsseldorf and one of the host cities of this year’s Ruhrtriennale.

Une vision scénique peu convaincante, mais une interprétation musicale galvanisée par la direction de Daniele Rustioni qui dirige ici sa dernière production lyrique en tant que directeur musical de l'Opéra de Lyon.