Articles by Hugo Shirley

Hugo Shirley

Taking control: Dominique Meyer on bringing technological innovation to the Wiener Staatsoper

By , 03 November 2017
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What the conductor tells me: an impeccably controlled Mahler 3 from James Levine

By , 02 November 2017
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Into the light: the Deutsche Oper Berlin presents a winning Mahler Two

By , 24 October 2017
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Blurred lines: Peter Sellars' half-baked semi-staging mars a fine performance of The Cunning Little Vixen

By , 13 October 2017
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In a good place: Ed Gardner on bringing Bergen to the world

By , 06 October 2017
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Disturbing scenes: Staatsoper reopens with a messy Faustian hybrid

By , 04 October 2017
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Boom or bust: the Hungarian State Opera's new Bánk Bán

By , 11 September 2017
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Tripping the light fantastic: a refreshing season opener from the Gürzenich-Orchester Köln

By , 04 September 2017
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Fairy Music: Petrenko conducts a revelatory Frau ohne Schatten in Munich

By , 04 July 2017
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Daring and grandeur in the final concert in Barenboim's Schubert cycle

By , 28 June 2017
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Cold discomfort: Andrea Breth's uncompromising Kát'a Kabanová at the Staatsoper

By , 15 June 2017
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The Third Reich Show: Terry Gilliam's Damnation de Faust reaches the Staatsoper

By , 29 May 2017
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Barenboim's Schubert symphony cycle continues in joyous fashion

By , 26 May 2017
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“Nuit resplendissante”: a great night for a Gounod rarity in Leipzig

By , 22 May 2017
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Popularity contexts: rare Strauss and Rachmaninov pitted against Shostakovich at the Philharmonie

By , 19 May 2017
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Shades of heroism: thrilling Shostakovich and Strauss at the Philharmonie

By , 13 May 2017
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Grand designs: Rattle conducts Bruckner 8 at the Philharmonie

By , 07 May 2017
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Winding voices: Jansons places the clarinet centre stage in Berlin

By , 29 April 2017
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Youth and beauty: Barenboim and the Staatskapelle start their Schubert cycle in joyous fashion

By , 24 April 2017
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Music drama of the spheres: Hindemith's Die Harmonie der Welt in Linz

By , 13 April 2017
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