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Ingo Kerkhof’s specious contemporary staging was only redeemed by a gruesome scalp and some marvellous playing in the pit.   

Amor vien dal destino, by the celebrated multi-talented Italian Agostino Steffani, receives its first staging in 300 years in Berlin's Schiller Theater under the direction of René Jacobs.

In der Wiederaufnahme von Ingo Kerkhofs Idomeneo wird Generationenkonflikt zwischen dem totgesagten Vater Idomeneo und seinem Sohn Idamante zur Staatskrise.