Idomeneo reloaded

By Sarah Donata Schneider, 30 September 2016

Loading, please wait...

See full listing

Reviewed at Nationaltheater: Opernhaus, Mannheim on 28 September 2016

Mozart, Idomeneo, re di Creta

Nationaltheater Mannheim

Rubén Dubrovsky, Conductor

Ingo Kerkhof, Director

Dirk Becker, Set Designer

Inge Medert, Costume Designer

Astrid Kessler, Elettra

David DQ Lee, Idamante

Andreas Hermann, Idomeneo

Eunju Kwon, Ilia

Raphael Wittmer, Arbace

Christopher Diffey, High Priest

Sebastian Alphons, Lighting Designer

Elena Garcia-Fernandez, Dramaturgy

Dani Juris, Choirmaster / chorus director

Francesco Damiani, Choirmaster / chorus director

Opernchor des Nationaltheaters Mannheim

Nationaltheater Orchestra Mannheim

An unforgettable Good Friday Parsifal in Mannheim

Ako Imamura, 30th March

The 1957 production of Parsifal, with its traditional staging and dreamy imageries, was a perfect backdrop to showcase Wagner's celebration of stage play with music on Good Friday.

*****

“Auf nach Mahagonny" in Mannheim!

Ilana Walder-Biesanz, 30th December

A modern Mahagonny rises and falls in Mannheim, brought to life by a great cast of singer-actors and a conductor (Benjamin Reiners) and orchestra who celebrate Weill's catchy score.

****1

Polished Mahagonny: Weill and Brecht's satire remains as relevant as ever

Matthew Rye, 1st July

Nationaltheater Mannheim's new production of Brecht and Weill's collaboration is a true company achievement and a thrilling evening of music and theatre.

****1

Electric Elektra in Mannheim

Matthew Rye, 13th May

A classic production of Strauss' searing operatic depiction of the House of Atreus is revived with a particularly accomplished cast and musical direction.

*****

Der Golem: ecstatic première in Mannheim

Stephan Eckel, 16th April

The première of Bernhard Langs *Der Golem* leads through a frenzied night of occult stories.

****1

Sicilian melodrama: Tancredi in Mannheim

Matthew Rye, 11th December

The singing proves the main draw in Mannheim National Theatre's new production of Rossini's first great opera seria.

***11

More reviews...

Sarah Donata Schneider

Die Liebe zur Oper entdeckte Sarah durch Ursel und Karl-Ernst Herrmanns Pariser Inszenierung von La clemenza di Tito. Seit Abschluss ihres Magisterstudiums mit einer interdisziplinären Arbeit über Richard Wagner promoviert sie am Mainzer Institut für Theaterwissenschaft über deren Mozartinszenierungen. Neben Wagner und Strauss gilt ihre Leidenschaft besonders dem Verismo. Musik ist für sie „Teil des schwingenden Weltalls“ (Busoni).

Idomeneo reloaded: Zur Wiederaufnahme am Nationaltheater Mannheim