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Il ritorno d’Ulisse in patria tells one of the world’s great stories. This production is a treat for early opera fans and a great introduction for those new to the genre.

Symphonie Altlantique, a period orchestra composed of young professional musicians based in The Hague, gave a very engaging performance of Handel’s Giulio Cesare at the Concertgebouw in Amsterdam. 

An updated Orfeo and Eurydice at Buxton sees Orpheus as an ageing rocker, too distracted by adoring groupies to notice Eurydice. However, one piece of casting was an unsolvable conundrum. 

The version of Gluck's Orfeo ed Euridice sung last night at the Cadogan Hall was based on the original Italian version (1762) but included elements of a later French version. The various parts of nymphs, shepherds, Furies etc. were all sung by the ~150 strong London Concert Choir who produced a rich and well balanced sound which supported the main action very well.