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Martha Argerich gives a rare solo performance in the final programme of her festival, performing movements from Tchaikovsky's The Seasons for the very first time. 

The Martha Argerich Festival minus Martha Argerich on this occasion, but ending with a Russian pièce de résistance.  

Where does one go to hear some of the world’s greatest pianists? To Jerusalem. More specifically, the Jerusalem International Chamber Music Festival, the annual ten-day musical delight in the Holy City in early September. 

How radical can an exposition repeat be? Well, in the hands of Schubert, very radical indeed, it turns out. The sheer scale of the Molto moderato which opens his final piano sonata means that by the time the opening material returns a huge swathe of time has passed, so much so that each re-encountered phrase is seen in the light of all that happened in the mean time.

The Pastoral Symphony is perhaps an optimistic choice for January in Manchester, but for a short while all memory of the deluge outside evaporated in the Bridgewater Hall.Olivier Messiaen’s suite L’Ascension opened the concert with serene, otherworldly modality in a masterfully sculpted brass chorale.