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A mid-performance jump-in by tenor Thomas Strong saves the show on the opening night of this revival of Graeme Murphy's production.

This production brought the work into the 21st century, at least visually, with a more modernised and digitally-stylised telling than their recent attempts.

There is a reason that Butterfly has the highest blub factor in the repertory, for it is not only for Cio-Cio-San that we weep, but for ourselves. 

La Asociación Amigos Canarios de la Ópera cierra su 48 temporada de ópera con una Madama Butterfly llena de excelentes voces acompañadas por una orquesta brillante