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Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center. 

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

The team of soloists, the chorus and the orchestra, under the baton of Philippe Auguin, powerfully conveyed the spectacular qualities of Verdi's Don Carlo.

Francesca Zambello’s engaging Aida opened the season at Washington National Opera, eventually getting into its stride. 

Robert Longbottom's take on Donizetti's Daughter of the Regiment captures the spirit of bel canto in Washington DC. 

Tonight’s Götterdämmerung brought the cycle to a fitting – and wholly American – conclusion.