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Superb singing and skilful acting make a good case for Radamisto in a conceptually ambitious new production which, while not entirely successful, is well worth seeing. 

The two works in Guildhall School’s Baroque opera double bill, Thomas Arne’s The Cooper and Stradella’s San Giovanni Battista had little in common except that both are rarely performed, yet somehow made quite good bedfellows. 

In the programme notes to the Guildhall production of Journeying Boys, writer and director Iain Burnside reveals that the original idea behind the play came from Nick Sears, the Royal College of Music’s Head of Vocal Studies. It’s hard to know whether that disclosure was a giving of credit due or a disclaimer.