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At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

Bucharest’s temples of culture present rites of closure by Mozart, Kurtág and Bruckner… and a fleeting glimpse of Nirvana.

Sparkling Haydn from the Mahler Chamber Orchestra leads the way into an eclectic programme at the Enescu Festival. 

A radiant chemistry between Céline Scheen and Philippe Jaroussky is evident in an evening of Caldara and Pergolesi in Bucharest. 

Promoting Leonore, the original version of Beethoven's Fidelio, René Jacobs made several choices of his own, only some of them justifiable.

In the Bucharest performance, the individual vocal contributions were consistently good, with some really standing out.

Centuries can envelop a musical masterpiece in a cocoon of misconceptions and false interpretations as much they leave their mark in the form of dirt and grime on a painting’s surface.

Europa Galante's musicians’ collective expertise in playing music of the 17th and 18th centuries is indisputable and was in full display once again in Bucharest. 

Vengeron and Papian explored what lies under the shiny surface of late 19th century repertoire

His gestures might not be the most elegant, but Vladimir Askenazy has a deep understanding of the music he choses to conduct.

Delayed by torrential rain, the Enescu Festival's all-Handel concert took a while to get going, but was an utter delight once it did.