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Jacobs’ plausible pleading on behalf of Leonore
Promoting Leonore, the original version of Beethoven's Fidelio, René Jacobs made several choices of his own, only some of them justifiable.
Oslo Philharmonic takes an unusual approach to two masterpieces
Andnes’ rendition was a typical battle between Dionysian and Apollonian, won by the latter.
Enescu Festival sheds light on another 18th-century gem
In the Bucharest performance, the individual vocal contributions were consistently good, with some really standing out.
The power of music: Iestyn Davies in Gluck’s Orfeo ed Euridice
Centuries can envelop a musical masterpiece in a cocoon of misconceptions and false interpretations as much they leave their mark in the form of dirt and grime on a painting’s surface.
A remarkable rendition of Handel’s Silla at the Enescu Festival
Europa Galante's musicians’ collective expertise in playing music of the 17th and 18th centuries is indisputable and was in full display once again in Bucharest.
Remarkable Die Frau ohne Schatten marred by visual effects
At the Enescu Festival n Bucharest Vladimir Jurowski celebrates the centennial of Die Frau one Schatten’s premiere.
