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Silliness can find a place in art, as we see in some of Erik Satie’s work titles, but sometimes it is just silly. 

Since its inception in 1986, the Davos Festival has given a platform to more than 2,080 young artists of promise. This 33rd festival year is no exception. 

Similarities between Johann Sebastian Bach and John Cage don't exactly leap out at you. Both have an interest in numbers, it's true: Bach's music is obsessively, perhaps mathematically patterned, and Cage proportioned much of his music according to strict ratios and numerical schemes. But even this similarity is very much an abstract one: can you hear it in the pieces? No, not really.