Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Miroirs: Une barque sur l'océan

An impressive new work by Paul Stanhope, Mahāsāgar (the Indian Ocean) is well sung and played by the WASO choir and orchestra with soloists Sara Macliver and Andrew Goodwin, alongside some oceanic favourites

In an homage to Joseph Cornel's “Celestial Navigation”, Kolesnikov conceived his own musical constellation with great insight.

The Roussel Bacchus et Ariane was the standout performance in a trio of French orchestral works presented by Alan Gilbert and the Royal Stockholm Philharmonic Orchestra. 

An evening of “French Beauties and Swedish Beasts” from the Swedish clarinettist, demonstrating phenomenal tone and dare-devil risk-taking. 

The young French cellist says he can't sing. But that didn't stop him producing a great cantabile performance for Dvořák's great crowd-pleaser.

Released from the Covent Garden pit, the Orchestra of the Royal Opera House enjoyed its moment on the stage, breathing in the sea breezes of Ravel and Chausson, strutting its stuff in Bernstein and basking in shimmering Scriabin.

Daniil Trifonov dazzled, for sure, but at times he did slightly more than that. And when he did dazzle, it was always very musical dazzling; he is far from the empty dazzler one might expect so young a virtuoso to be. No – there’s no doubt that Trifonov is a highly intelligent musician, as well as a highly talented one, and there was much to enjoy in this varied programme for Wigmore Hall.

As the programme put it, Prom 16 had a "distinctly watery" theme. The BBC National Orchestra of Wales took its audience on a trip to the Italian and French rivieras, with a staycation in the form of Hugh Wood's thrilling Piano Concerto. It was a challenging programme, which showed in the orchestra's playing more than once, but it was nevertheless an enjoyable experience.

Chinese pianist Di Xiao is already making a name for herself with sell-out concerts in many of Europe’s most prestigious venues and a triumphant tour of China, as well as two recordings. Her debut recital at London’s Wigmore Hall was a programme conjuring up images of moonlight while “illuminating other byways along the way”.Di Xiao opened with Beethoven’s Sonata Opus 27 No.