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Neo-Romanticism, Modernism, and Post-Modernism run delightfully amok in the second night of the New York Philharmonic's Barbican residency.

At first hearing the idea of the music of Witold Lutosławski as the centerpiece of a Los Angeles Philharmonic “Green Umbrella” concert made a strangely incongruous impression. Music new or difficult is the usual fare of such a program.