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Players from the Orchestra of the Age of Enlightment play Schubert's Octet in F major alongside Lieder from 1824 sung by Roderick Williams, Mary Bevan, Robert Murray and Rozanna Madylus, accompanied by Sholto Kynoch.

It was hard to choose from the fascinating menu for The Composer’s Echo (the title for this Leeds Lieder Festival), which is described as “a feast of song from the great Western European tradition which fuses poetry and music” by the festival’s director, Jane Anthony.

Here’s a choir that need never worry about attracting younger members. It runs its own school, with around 300 children, and from the age of ten the most musically gifted boys are channelled into the choir.

Venexia, Venise, Venedig: city of singing gondoliers, loved-up couples and pigeons. That was the picture painted last night at the sold-out recital by Joyce DiDonato and her accompanist David Zobel at the Wigmore Hall.

El barítono Christian Gerhaher y el pianista Gerold Huber ofrecieron un dramático recital con lieder de Schubert poco frecuentados.

Die Große Schubertiade im Großen Saal der Stiftung Mozarteum wurde ihrem Titel in jederlei Bedeutungsweise mehr als gerecht. Große Leistungen von Sängern und Musikern waren da zu hören, und das alles in einem Rahmen der, derart privat, bei den Festspielen nicht zu erwarten war.