Live, Video: Find classical music concert, opera, ballet and dance reviews | English | New works

Another evening of enjoyable and diverse dance although the most complete and satisfying work was the revival from ten years' ago 

Lang’s choreography lacks the hectic drollness and biting originality of Tharp’s, and while accessible it is also sweeter and blander.

An augmented reality app, film, photos, and a diverse live triple bill feature in Queensland Ballet's latest celebration of emerging and experimental choreographers and artists.

A forward-looking celebration of the past twenty years' of dance at Sadler's Wells, presenting the work of three emerging choreographers.

It’s not about being on the biggest stage that matters, but what you do on any stage at all – dance like there is no-one watching. But, happily in this case, we are.

Artistic directors of Ballet Boyz Billy Trevitt and Michael Nunn stage a speed dating style collaboration, match making four choreographers with four composers. The quality of performance is top-notch, but the choreography is pot luck in places. 

Newcomers Imre van Opstal and Marne van Opstal present their first work alongside established choreographers as Sol Leon and Paul Lightfoot. A programme where new and old, humoristic and dark meet.

It’s heartening so see that the state of classical ballet is strong and there are many talented young dancers being nurtured to take their places in the top companies of the world.

New York City Ballet under Peter Martins continues to nurture talent from its budding dancers and choreographers and it's all to the good.