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Classical music, opera, ballet and dance in Brisbane, QLD, Australia

Use Bachtrack's search facility to find concerts, opera and dance events not only in this city but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

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BrisbaneBranford Marsalis

Stravinsky, Villa-Lobos, Piazzolla, Beamish, Ginastera
Australian Chamber Orchestra; Satu Vänskä; Branford Marsalis

BrisbaneIndies & Idols

Lutosławski, Dessner, Stevens, Penderecki, Greenwood, Szymanowski
Australian Chamber Orchestra; Richard Tognetti

BrisbaneLuminous

Britten, Janáček, Vasks
Australian Chamber Orchestra; Richard Tognetti; Lior Elmaleh; Bill Henson

BrisbaneIntimate Bach

Bach, Kurtág, Marais, Dean
Australian Chamber Orchestra; Richard Tognetti; Brett Dean; Erin Helyard; Timo-Veikko Valve

BrisbaneBrahms & Dvořák

Norman, Brahms, Dvořák
Australian Chamber Orchestra; Richard Tognetti; Timo-Veikko Valve
Latest reviewsSee more...

La Scala's Don Quixote brings festive joy to Brisbane

Nicoletta Manni (Dulcinea), Maria Celeste Losa (Queen of Dryades), La Scala's Don Quixote © Darren Thomas
Vivacious dancing and abundant joie de vivre in La Scala Ballet's Don Quixote
****1
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Augmented reality with Queensland Ballet's Bespoke Evening

Isabella Swietlicki in Jack Lister's B Sides © David Kelly
An augmented reality app, film, photos, and a diverse live triple bill feature in Queensland Ballet's latest celebration of emerging and experimental choreographers and artists.
****1
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La Scala’s gorgeous Giselle captivates Brisbane

Claudio Coviello (Albrecht) and Maria Eichwald (Giselle), La Scala Ballet's Giselle © Darren Thomas
La Scala Ballet delights with a beautifully-danced Giselle for the company's first Australian visit.
****1
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The Lady in Red: Queensland Ballet’s Firebird and Carmen

Camilo Ramos and Sophie Zoricic in Acosta's Carmen © David Kelly
A youthfully fresh corps and Victor Estévez hold together this uneven double bill, with Acosta’s troubled Carmen demonstrating the challenges of adapting opera to ballet.
***11
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Appearance vs Reality: Agrippina in Brisbane

Ulrike Schneider (Agrippina) and Keri Fuge (Poppea) © Darren Thomas
Englishman Laurence Dale’s Göttingen Festival production of Handel’s Agrippina, now presented in the second Brisbane Baroque Festival, is based on the political void between appearance and reality. 
***11
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A Perfect Masterpiece: Glass's The Perfect American in Brisbane

The Perfect American, a fictional account of the final months of Walt Disney’s life, is a visually rhythmic flow of scenic magic on a blended Glass base – gently but harrowingly absorbing.
*****
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