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NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.

Dance, when fulfilled by such artistry as seen this evening, requires no embellishment. 

In the post-Wendy Whelan season, it’s Ashley Bouder’s New York City Ballet.

How lucky I am to live in a city where I can head over to Lincoln Center and catch an entire evening’s worth of Balanchine ballets, performed by the stellar artists that make up New York City Ballet. This gift is not lost on me; I may be becoming a jaded New Yorker, occasionally cynical and impressed by little, but I feel quite a thrill attending the ballet.