Articles by Rachel Rizzuto

Faye Driscoll's Thank You For Coming: Play: A Work of Extremes

By , 22 November 2016
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Pam Tanowitz Explores the New and the Old at the Joyce

By , 30 September 2016
***11
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A Spectacle, a Smorgasbord, a Show: John Jaspere's Remains at BAM

By , 23 September 2016
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Ballet BC strongest in the sure hands of Crystal Pite

By , 03 June 2016
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Dorrance Dance's High-Tech Tap Hijinks at The Joyce

By , 04 May 2016
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Ben Munisteri's Antimony (51) at BAM Fisher Quiet, Unassuming, Lovely

By , 25 April 2016
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Abraham.in.Motion: A raw, jagged take on injustice

By , 16 November 2015
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Anne De Keersmaeker and Boris Charmatz's Deceptively Gentle Duet

By , 02 November 2015
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NYC's Fall for Dance: A Matchmaking Service Between Audience and Companies New to Them

By , 05 October 2015
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Batsheva Ensemble's Rawness Just Right for Naharin's "Decadance"

By , 01 October 2015
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The new Ballet Mécanique? Blanca Li's Robot at BAM

By , 23 June 2015
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Cedar Lake's fitting, adrenaline-fueled closing performances

By , 08 June 2015
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Hubbard Street Dance: between too little and too much

By , 21 May 2015
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Mark Morris' Whelm, an intriguing but never irritating mystery

By , 24 April 2015
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Kate Weare at BAM: A 10-Year Retrospective

By , 23 February 2015
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Carmen de Lavallade's Solo Show at BAC: The Pre-Beyoncé Beyoncé

By , 23 February 2015
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Where Drama and Movement Meet: NDT2 at the Joyce

By , 09 February 2015
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A High School Dance for Grownups, With Every Adolescent Fear Intact

By , 03 November 2014
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Mark Dendy's Labyrinth muddled, but honest

By , 13 October 2014
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Fall for Dance Program One

By , 12 October 2014
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