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A full spectrum of Balanchine's black and white ballets

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“requires no embellishment”
Reviewed at Lincoln Center: David H Koch Theater, New York City on 10 October 2015
Concerto Barocco (George Balanchine)
Monumentum pro Gesualdo di Venosa (George Balanchine)
Movements for Piano and Orchestra (George Balanchine)
Episodes (George Balanchine)
The Four Temperaments (George Balanchine)
New York City Ballet
New York City Ballet Orchestra
Sara Mearns, Dancer
Teresa Reichlen, Dancer
Russell Janzen, Dancer
Rebecca Krohn, Dancer
Ask la Cour, Dancer
Craig Hall, Dancer
Jennie Somogyi, Dancer
Adrian Danchig-Waring, Dancer
Amar Ramasar, Dancer
Ashley Bouder, Dancer
Ballet for cowboys and soldiers at Kansas City Ballet
****1
American Ballet Theatre's double bill is short and sweet in New York
****1
A spectacular triple bill lifts ABT’s spring season in New York
****1
Understatement and spectacle at New York City Ballet
*****
Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success
***11
Study in Scarlet: Rubies crown Balanchine’s Jewels in Vienna
****1
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