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Freire convinces in Bach, but soft attack and heavy pedal use make for flat renditions of romantic works.

Waltzing on a Monday evening? Wigmore Hall is not exactly the Tower Ballroom, but last night it did a fair impression as a temple of dance when Philippe Cassard played the third of his Debussy Perspectives series.

Stephen Hough’s solo piano recital had an immediate appeal even before the first note sounded. The programme’s design followed perfect symmetry of Claude Debussy and Frédéric Chopin’s Four Ballades.