The young Polish harpsichordist with the Cohaere Ensemble talks about the Early music scene in Poland, her investigations into music of 18th-century Danzig, one of Europe’s most cosmopolitan cities.
Renowned Japanese conductor returns to the Singapore Symphony Orchestra to perform unusual music from Johann Wenzel Kalliwoda – an influence on Robert Schumann, who described him as “unique in the world of symphonies”.
Medieval music specialists Irini Bilini Moraiti and Dimitris Kountouras talk about their distinctive approaches to Early music in Greece, and the survival of old music through oral traditions.
The Royal Opera’s Principal Guest Conductor explains her passion for opera, her journey into the pit and how good conductors share the attributes of football managers.
The Japanese mezzo soprano is returning to the New National Theatre, Tokyo for her role debut in Massenet’s Werther. We talk about her love for Rossini, and expansions into later Romantic opera.
The Serbian-French violinist talks about what makes the George Enescu International Competition special, his experiences winning in 2001, and performing Enescu, Beethoven and Prokofiev.
Katia studied Music Teaching, Musicology and piano in Madrid, where she also worked as a cataloguer for different specialized libraries such as the Royal Palace Library and National Library of Spain. She worked for Audioclásica magazine as a proofreader and writing some articles and reviews, she also wrote program notes for concerts at Auditorio Nacional. Katia is our Spanish editor and when she is not working she volunteers at Handel House Museum and attend as many concerts as she can afford. As well as music, she loves walking and running.
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