
Lawrence Dunn
Voici 50 des 54 articles

2 janv. 2026
Les Dinos et l'Arche, un opéra pas bête de Thomas Leininger

10 févr. 2023
Le quotidien d'une ballerine : entretien avec Deborah Weiss

30 janv. 2023
Tár met en lumière la vie des orchestres en Allemagne

18 sept. 2026
New kids on the block: Chromatica Orchestra

15 sept. 2026
Impertinence! Making Baroque music the Latin American way

1 sept. 2026
Inside out and upside down: Opera world premieres 2026–27

28 mai 2026
Mongrel sensibilities: Early music in Italy

Manchester
12 mai 2026
Reality television: ENO’s Angel’s Bone in Manchester

13 mai 2026
Diversity and recovery: Early music in Croatia

1 mai 2026
Kith and kin: Brett Dean and family prepare Of One Blood

20 mars 2026
Cosmopolitan commonwealths: Natalia Olczak on Early music in Poland

18 mars 2026
Medieval survivors: Irini Bilini Moraiti on Early music in Greece

10 mars 2026
Manchester’s Bridgewater Hall and beyond

15 janv. 2026
All in the family: Flanders Symphony’s new chief Martijn Dendievel

17 déc. 2025
The magical world of composers’ handwriting

3 nov. 2025
Stylus fantasticus: Vojtěch Jakl on Early music in Czechia

14 oct. 2025
Routes beyond: Junyan Chen on curating Leeds Chamber Series

9 oct. 2025
Fresh sounds: RNCM’s Inspirational Artists series

Anvers
23 août 2025
Dramas of imagination: Ensemble Micrologus and Per-Sonat in Antwerp

Anvers
22 août 2025
Smearing and sliding: Huelgas Ensemble at Laus Polyphoniae

22 août 2025
Behind the scenes of Japan’s oldest orchestra: the Tokyo Philharmonic

17 juin 2025
Making waves at the Hallé: Euan Shields

26 mars 2025
Looking for Thomas Adès in the Aquifer

25 mars 2025
Sun, fish, pigs and children: Borealis 2025

7 mars 2025
Darkness and pathos: Ravel’s Concerto for the Left Hand

19 déc. 2024
Dances and mountains: Cristian Sandrin’s new Goldberg Variations

6 déc. 2024
Sensuality and modern music: Barbara Hannigan

19 sept. 2024
Alternative future sonic worlds: Ultima Oslo

29 mai 2024
Something completely different: the Muziekgebouw aan ’t IJ

Tartu
28 avr. 2024
Oceanic swells, orchestral tangles: Baltic & Estonian Music Days

Tartu
27 avr. 2024
Tombs, elegies and ruins: Baltic & Estonian Music Days

Tartu
26 avr. 2024
Solemn rites and fractured chants open Estonian Music Days in Tartu

8 mars 2024
Deadly playful: eight new works from women composers in 2024

7 mars 2024
Composition as learning: Cassandra Miller

9 févr. 2024
Contests of power and imagination: DNO’s The Shell Trial

29 nov. 2023
Glimpses of future classical music at Concertgebouw Bruges

4 sept. 2023
Singing at the edge: inside the BBC Singers

18 août 2023
Sharp drop in A Level Music entrants reflects wider declines


Manchester
7 juil. 2023
Wildly varying quality at Manchester International Festival


Dundalk
17 juin 2023
Aloofness, sincerety, montage: Esposito Quartet plays Crane and Shaw

Dundalk
16 juin 2023
Loneliness and togetherness: Chamber Choir Ireland in Dundalk

28 mai 2023
A survivor from Transylvania: the life of György Ligeti

26 mai 2023
With pipes, drums and fiddles: a Ligeti playlist

14 avr. 2023
Against the status quo: the music of Johanna Beyer

31 mars 2023
Pressure and intoxication: the Donatella Flick Conducting Competition

9 mars 2023
BBC announces closure of BBC Singers, redundancies at orchestras

8 mars 2023
Eight women composers to watch

17 févr. 2023
Breaking the cage from the inside: Dutch National Opera’s Animal Farm

6 janv. 2023
Arvo Pärt: music for humanity

24 nov. 2022
The Dawn Has Risen: a playlist of Ukrainian music
