
Lawrence Dunn
50 von 54 Artikel angezeigt

1. Mai 2026
Familiensache: Brett Dean über die Uraufführung von Of One Blood

10. Feb. 2023
Der Alltag einer Ballerina: ein Interview mit Deborah Weiss

30. Jan. 2023
Tár beleuchtet das Orchesterleben in Deutschland

18. Sept. 2026
New kids on the block: Chromatica Orchestra

15. Sept. 2026
Impertinence! Making Baroque music the Latin American way

1. Sept. 2026
Inside out and upside down: Opera world premieres 2026–27

28. Mai 2026
Mongrel sensibilities: Early music in Italy

Manchester
12. Mai 2026
Reality television: ENO’s Angel’s Bone in Manchester

13. Mai 2026
Diversity and recovery: Early music in Croatia

20. März 2026
Cosmopolitan commonwealths: Natalia Olczak on Early music in Poland

18. März 2026
Medieval survivors: Irini Bilini Moraiti on Early music in Greece

10. März 2026
Manchester’s Bridgewater Hall and beyond

15. Jan. 2026
All in the family: Flanders Symphony’s new chief Martijn Dendievel

2. Jan. 2026
Dinosaurs of the Baroque: discovering Les Dinos et l’Arche

17. Dez. 2025
The magical world of composers’ handwriting

3. Nov. 2025
Stylus fantasticus: Vojtěch Jakl on Early music in Czechia

14. Okt. 2025
Routes beyond: Junyan Chen on curating Leeds Chamber Series

9. Okt. 2025
Fresh sounds: RNCM’s Inspirational Artists series

Antwerp
23. Aug. 2025
Dramas of imagination: Ensemble Micrologus and Per-Sonat in Antwerp

Antwerp
22. Aug. 2025
Smearing and sliding: Huelgas Ensemble at Laus Polyphoniae

22. Aug. 2025
Behind the scenes of Japan’s oldest orchestra: the Tokyo Philharmonic

17. Juni 2025
Making waves at the Hallé: Euan Shields

26. März 2025
Looking for Thomas Adès in the Aquifer

25. März 2025
Sun, fish, pigs and children: Borealis 2025

7. März 2025
Darkness and pathos: Ravel’s Concerto for the Left Hand

19. Dez. 2024
Dances and mountains: Cristian Sandrin’s new Goldberg Variations

6. Dez. 2024
Sensuality and modern music: Barbara Hannigan

19. Sept. 2024
Alternative future sonic worlds: Ultima Oslo

29. Mai 2024
Something completely different: the Muziekgebouw aan ’t IJ

Tartu
28. Apr. 2024
Oceanic swells, orchestral tangles: Baltic & Estonian Music Days

Tartu
27. Apr. 2024
Tombs, elegies and ruins: Baltic & Estonian Music Days

Tartu
26. Apr. 2024
Solemn rites and fractured chants open Estonian Music Days in Tartu

8. März 2024
Deadly playful: eight new works from women composers in 2024

7. März 2024
Composition as learning: Cassandra Miller

9. Feb. 2024
Contests of power and imagination: DNO’s The Shell Trial

29. Nov. 2023
Glimpses of future classical music at Concertgebouw Bruges

4. Sept. 2023
Singing at the edge: inside the BBC Singers

18. Aug. 2023
Sharp drop in A Level Music entrants reflects wider declines

Manchester
7. Juli 2023
Wildly varying quality at Manchester International Festival


Dundalk
17. Juni 2023
Aloofness, sincerety, montage: Esposito Quartet plays Crane and Shaw

Dundalk
16. Juni 2023
Loneliness and togetherness: Chamber Choir Ireland in Dundalk

28. Mai 2023
A survivor from Transylvania: the life of György Ligeti

26. Mai 2023
With pipes, drums and fiddles: a Ligeti playlist

14. Apr. 2023
Against the status quo: the music of Johanna Beyer

31. März 2023
Pressure and intoxication: the Donatella Flick Conducting Competition

9. März 2023
BBC announces closure of BBC Singers, redundancies at orchestras

8. März 2023
Eight women composers to watch

17. Feb. 2023
Breaking the cage from the inside: Dutch National Opera’s Animal Farm

6. Jan. 2023
Arvo Pärt: music for humanity

24. Nov. 2022
The Dawn Has Risen: a playlist of Ukrainian music
