Ver on-line en play.operadeparis.frOpéra national de ParisGrabado en Opéra national de Paris: Opéra Bastille, París, Francia
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On demand until viernes 20 mayo 2039 23:59
Intérpretes
| Opéra national de Paris | ||
| Patrick Fournillier | Dirección | |
| Damiano Michieletto | Dirección de escena | |
| Paolo Fantin | Diseño de escena | |
| Agostino Cavalca | Diseño de vestuario | |
| Alessandro Carletti | Diseño de iluminación | |
| Orchestre de l'Opéra national de Paris | ||
| Chœurs de l'Opéra national de Paris | ||
| Roland Horvath | Videoarte | |
| rocafilm | Videoarte | |
| Thomas Wilhelm | Coreografía | |
| Ching-Lien Wu | Dirección de coro | |
| Christian Van Horn | Bajo-barítono | Don Quichotte |
| Gaëlle Arquez | Mezzosoprano | Dulcinée |
| Étienne Dupuis | Barítono | Sancho Pança |
| Emy Gazeilles | Soprano | Pedro |
| Marine Chagnon | Soprano | Garcias |
| Samy Camps | Tenor | Rodriguez |
| Nicholas Jones | Tenor | Juan |
After Cendrillon, Jules Massenet’s music is once again in the limelight with Don Quichotte, his last opera – created in 1910 for the Russian bass Shaliapin – a work that has not been performed at the Opéra Bastille for over 20 years.
The composer retained only a few of the main emblematic episodes of Cervantes’ lavish novel: Don Quixote’s love for Dulcinea, his knightly ways that lead him to pursue brigands in order to recover her necklace, his battle with the windmills and his death as he lies beside his servant Sancho Panza.
Inspired by this refined and moving music, director Damiano Michieletto’s new production seeks to reveal the poetry of Don Quixote, but also his suffering. That of a deeply lonely man, haunted by his memories.
Críticas de Don Quichotte dirigida por Damiano Michieletto
