| vendredi 09 octobre 2026 | 19:30 |
| samedi 17 octobre 2026 | 19:30 |
| vendredi 23 octobre 2026 | 19:30 |
| vendredi 30 octobre 2026 | 19:00 |
| samedi 07 novembre 2026 | 19:30 |
| vendredi 13 novembre 2026 | 19:30 |
| vendredi 20 novembre 2026 | 19:00 |
| vendredi 04 décembre 2026 | 19:00 |
| vendredi 11 décembre 2026 | 19:00 |
| mercredi 23 décembre 2026 | 19:00 |
| Komische Oper Berlin | |||
| James Hendry | Direction | ||
| Barrie Kosky | Mise en scène | ||
| Rufus Didwiszus | Décors | ||
| Victoria Behr | Costumes | ||
| Franck Evin | Lumières | ||
| Orchester der Komischen Oper Berlin | |||
| Chorsolisten der Komischen Oper Berlin | |||
| Susanna Goldberg | Dramaturgie | ||
| Otto Pichler | Chorégraphie | ||
| Jean-Christophe Charron | Chef de chœur | ||
| Jonas Hacker | Ténor | Orphée | oct. 09, 23, nov. 20, déc. 23 |
| Tansel Akzeybek | Ténor | Orphée | oct. 17, 30, nov. 07, 13, déc. 04, 11, 28, 31 |
| Susan Zarrabi | Mezzo-soprano | Cupidon | oct. 09, 17, 23, 30, nov. 07, déc. 23, 31 |
| Alma Sadé | Soprano | Cupidon | nov. 13, 20, déc. 04, 11, 28 |
| Alma Sadé | Soprano | Diane | nov. 07, déc. 23, 31 |
| Elisa Maayeshi | Soprano | Diane | oct. 09, 17, 23, 30, nov. 13, 20, déc. 04, 11, 28 |
| Juliana Zara | Soprano | Eurydice | |
| Max Hopp | Baryton | John Styx | |
| Karolina Gumos | Mezzo-soprano | Junon | |
| Tom Erik Lie | Baryton | Jupiter | |
| Ulrike Helzel | Mezzo-soprano | L'Opinion Publique | |
| Tim Dietrich | Basse | Mars | |
| Caspar Krieger | Ténor | Mercure | |
| Ivan Turšić | Ténor | Pluton (Aristée) | |
| Mirka Wagner | Soprano | Venus |
Bored by her passionless marriage to the drab musician Orpheus, Eurydice prefers to amuse herself with Pluto, the lord of the underworld, and is—quite unlike her mythological model—more than happy to let herself be carried off to the realm of the dead. When Jupiter, the king of the gods, also learns of the beautiful mortal, a jocular competition for Eurydice’s favour ensues.
In this first major work by the ‘father of modern operetta’, rousing Parisian dance music meets orchestral virtuosity, culminating in the world-famous can-can. Offenbach’s mythological burlesque is carried by a playful ensemble of the highest calibre, ready to follow Max Hopp’s narration as they dive into a gaudy underworld. With Barrie Kosky’s production, an absolute audience favourite is onstage again at the Komische Oper Berlin.
Orphée aux Enfers par Barrie Kosky, nos comptes-rendus
