| Freitag 09 Oktober 2026 | 19:30 |
| Samstag 17 Oktober 2026 | 19:30 |
| Freitag 23 Oktober 2026 | 19:30 |
| Freitag 30 Oktober 2026 | 19:00 |
| Samstag 07 November 2026 | 19:30 |
| Freitag 13 November 2026 | 19:30 |
| Freitag 20 November 2026 | 19:00 |
| Freitag 04 Dezember 2026 | 19:00 |
| Freitag 11 Dezember 2026 | 19:00 |
| Mittwoch 23 Dezember 2026 | 19:00 |
| Komische Oper Berlin | |||
| James Hendry | Musikalische Leitung | ||
| Barrie Kosky | Regie | ||
| Rufus Didwiszus | Bühnenbild | ||
| Victoria Behr | Kostüme | ||
| Franck Evin | Licht | ||
| Orchester der Komischen Oper Berlin | |||
| Chorsolisten der Komischen Oper Berlin | |||
| Susanna Goldberg | Dramaturgie | ||
| Otto Pichler | Choreographie | ||
| Jean-Christophe Charron | Chorleitung | ||
| Jonas Hacker | Tenor | Orphée | Okt 09, 23, Nov 20, Dez 23 |
| Tansel Akzeybek | Tenor | Orphée | Okt 17, 30, Nov 07, 13, Dez 04, 11, 28, 31 |
| Susan Zarrabi | Mezzosopran | Cupidon | Okt 09, 17, 23, 30, Nov 07, Dez 23, 31 |
| Alma Sadé | Sopran | Cupidon | Nov 13, 20, Dez 04, 11, 28 |
| Alma Sadé | Sopran | Diane | Nov 07, Dez 23, 31 |
| Elisa Maayeshi | Sopran | Diane | Okt 09, 17, 23, 30, Nov 13, 20, Dez 04, 11, 28 |
| Juliana Zara | Sopran | Eurydice | |
| Max Hopp | Bariton | John Styx | |
| Karolina Gumos | Mezzosopran | Junon | |
| Tom Erik Lie | Bariton | Jupiter | |
| Ulrike Helzel | Mezzosopran | L'Opinion Publique | |
| Tim Dietrich | Bass | Mars | |
| Caspar Krieger | Tenor | Mercure | |
| Ivan Turšić | Tenor | Pluton (Aristée) | |
| Mirka Wagner | Sopran | Venus |
Bored by her passionless marriage to the drab musician Orpheus, Eurydice prefers to amuse herself with Pluto, the lord of the underworld, and is—quite unlike her mythological model—more than happy to let herself be carried off to the realm of the dead. When Jupiter, the king of the gods, also learns of the beautiful mortal, a jocular competition for Eurydice’s favour ensues.
In this first major work by the ‘father of modern operetta’, rousing Parisian dance music meets orchestral virtuosity, culminating in the world-famous can-can. Offenbach’s mythological burlesque is carried by a playful ensemble of the highest calibre, ready to follow Max Hopp’s narration as they dive into a gaudy underworld. With Barrie Kosky’s production, an absolute audience favourite is onstage again at the Komische Oper Berlin.
Rezensionen von Orphée aux Enfers (Orpheus in der Unterwelt) inszeniert von Barrie Kosky
