| Samstag 20 März 2027 | 19:30 |
| Freitag 26 März 2027 | 19:30 |
| Samstag 03 April 2027 | 19:30 |
| Mittwoch 07 April 2027 | 19:30 |
| Freitag 16 April 2027 | 19:30 |
| Freitag 23 April 2027 | 19:30 |
| Freitag 30 April 2027 | 19:30 |
| Komische Oper Berlin | ||
| George Petrou | Musikalische Leitung | |
| Barrie Kosky | Regie | |
| Natacha Le Guen de Kerneizon | Bühnenbild | |
| Carla Teti | Kostüme | |
| Alessandro Carletti | Licht | |
| Orchester der Komischen Oper Berlin | ||
| Chorsolisten der Komischen Oper Berlin | ||
| David Cavelius | Chorleitung | |
| Mingjie Lei | Tenor | Jupiter, Apollo |
| Sarah Brady | Sopran | Semele |
| Susan Zarrabi | Mezzosopran | Ino |
| Daniel Noyola | Bass | Somnus, High Priest |
| Nils Wanderer | Countertenor | Athamas |
| Alice Coote | Mezzosopran | Juno |
| Philipp Meierhöfer | Bass | Cadmus |
| Sarah Gilford | Sopran | Iris |
Handel’s music can move you to the core, all the more so when staged as movingly and convincingly as in Barrie Kosky’s production of Semele. He brings the Greek gods of Handel’s oratorio astonishingly close, showing them entangled in the very rules they themselves created, just as humans are.
Jupiter is captivated by the extraordinarily beautiful princess Semele, just as deeply as she is by the father of the gods. Nothing does she desire more than to behold him once in his true form. Only when he reveals himself in all his divinity can she feel herself his equal. The fire of her ambition, further fanned by Jupiter’s jealous wife Juno, leads her toward destruction. The mortal Semele proves defenceless against the searing blaze of Jupiter’s presence. She must perish, and Jupiter strides onward.
Rezensionen von Semele, HWV 58 inszeniert von Barrie Kosky

