| samedi 20 mars 2027 | 19:30 |
| vendredi 26 mars 2027 | 19:30 |
| samedi 03 avril 2027 | 19:30 |
| mercredi 07 avril 2027 | 19:30 |
| vendredi 16 avril 2027 | 19:30 |
| vendredi 23 avril 2027 | 19:30 |
| vendredi 30 avril 2027 | 19:30 |
| Komische Oper Berlin | ||
| George Petrou | Direction | |
| Barrie Kosky | Mise en scène | |
| Natacha Le Guen de Kerneizon | Décors | |
| Carla Teti | Costumes | |
| Alessandro Carletti | Lumières | |
| Orchester der Komischen Oper Berlin | ||
| Chorsolisten der Komischen Oper Berlin | ||
| David Cavelius | Chef de chœur | |
| Mingjie Lei | Ténor | Jupiter, Apollo |
| Sarah Brady | Soprano | Semele |
| Susan Zarrabi | Mezzo-soprano | Ino |
| Daniel Noyola | Basse | Somnus, High Priest |
| Nils Wanderer | Contre-ténor | Athamas |
| Alice Coote | Mezzo-soprano | Juno |
| Philipp Meierhöfer | Basse | Cadmus |
| Sarah Gilford | Soprano | Iris |
Handel’s music can move you to the core, all the more so when staged as movingly and convincingly as in Barrie Kosky’s production of Semele. He brings the Greek gods of Handel’s oratorio astonishingly close, showing them entangled in the very rules they themselves created, just as humans are.
Jupiter is captivated by the extraordinarily beautiful princess Semele, just as deeply as she is by the father of the gods. Nothing does she desire more than to behold him once in his true form. Only when he reveals himself in all his divinity can she feel herself his equal. The fire of her ambition, further fanned by Jupiter’s jealous wife Juno, leads her toward destruction. The mortal Semele proves defenceless against the searing blaze of Jupiter’s presence. She must perish, and Jupiter strides onward.
Semele, HWV 58 par Barrie Kosky, nos comptes-rendus

