Kurs auf Klamauk: Die Piraten von Penzance an der Volksoper Wien

Katia Ledoux (Piratenkönig)

Timothy Fallon (Frederic) und Johanna Arrouas (Ruth)

Stefan Cerny (Der Polizeisergeant)

Die Piraten von Penzance

Jakob Semotan (Generalmajor Stanley)

Die Piraten von Penzance

Por Snapdragon, 30 marzo 2026

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Crítica hecha desde Volksoper Wien, Viena el 27 marzo 2026

Sullivan, Pirates of Penzance

Volksoper Wien

Chloe Rooke, Dirección

Spymonkey, Dirección de escena

Julian Crouch, Diseño de escena, Diseño de vestuario

Orchestra of the Vienna Volksoper

Chorus of the Vienna Volksoper

Jakob Semotan, Major General Stanley

Nicole Chevalier, Mabel

Timothy Fallon, Frederic

Katia Ledoux, Pirate King

Jaye Simmons, Edith

Stefan Cerny, Sergeant of Police

Johanna Arrouas, Ruth

Gail Skrela, Coreografía

An empty glitter bomb: Aschenbrödels Traum at the Volksoper Wien

Chanda VanderHart, 4th December

A dizzying premise from Martina Eisenreich and Axel Ranisch, loosely drawing on Johann Strauss II’s unfinished ballet Aschenbrödel, which tries to be everything, all at once.

***11

Eine Nacht in Venedig als Marvel-Maskerade an der Volksoper Wien

Snapdragon, 25th October

Ausgerechnet am 200. Geburtstag von Johann Strauß, bleibt seine Operette ein belangloser Verkleidungs- und Verwechslungsklamauk.

**111

Achtzigerjahre Sitcom und Handarbeitsstunde: Figaro an der Volksoper

Snapdragon, 24th May

Lotte de Beers Inszenierung ist am Ende des Abends billiger Klamauk, schrammt aber – wenn auch knapp – an einer Katastrophe vorbei.

***11

Death, interrupted: KaiserRequiem moves at the Volksoper

Chanda VanderHart, 25th January

Omer Meir Wellber’s Mozart-Ullmann mash-up sounds like a terrible idea, but absolutely hits the mark.

****1

Paging Dr Freud! Iolanta and the Nutcracker at the Volksoper Wien

Mark Pullinger, 5th December

When is The Nutcracker not The Nutcracker? When's it's mashed together with Tchaikovsky's Iolanta to represent the blind princess’ inner world in a dark interpretation.

****1

Ella Milch-Sheriff’s Alma emerges as a dark triumph at the Volksoper

Chanda VanderHart, 31st October

A haunting, musically compelling impression of a woman whose life was shaped by creation, loss, and unfulfilled thirst for personal expression.

****1

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Snapdragon

Snapdragon is an experienced concert- and opera-goer in Vienna and other music metropoles. Musical emphases include opera (especially Baroque opera) and piano music. As an Austrian native, Snapdragon can’t resist an operetta every now and then.