Vienna: Window to Modernity

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Carnegie Hall: Stern Auditorium/Perelman Stage57th Street and, 7th Ave, New York City, New York, 10019, United States

Dates/times in New York time zone

Programme

Strauss, Richard (1864-1949)	Drei Lieder der Ophelia, Op.67
Brahms, Johannes (1833-1897)	Ophelia Lieder (Ophelia Songs)
Schoenberg, Arnold (1874-1951)	Verklärte Nacht (Transfigured Night), Op.4
Wagner, Richard (1813-1883)	Wesendonck Lieder: Im Treibhaus
Wagner, Richard (1813-1883)	Wesendonck Lieder: Träume
Brahms, Johannes (1833-1897)	6 Pieces for Piano: Intermezzo in A minor, Op.118 no.1
Brahms, Johannes (1833-1897)	6 Pieces for Piano: Intermezzo in A major, Op.118 no.2
Weigl, Karl (1881-1949)	5 Songs for soprano and string quartet, Op.40 ("Trost" and "Regenlied")
Wellesz, Egon (1885-1974)	Sonnette der Elisabeth Barrett-Browning, Op.52b (no.5, "Mir scheint, das Angesicht der Welt verging")
Webern, Anton (1883-1945)	3 Pieces for string quartet (and soprano)
Zeisl, Erich (1905-1959)	Mondbild: no. 1, Der Mond steht da
Zeisl, Erich (1905-1959)	Komm süsser Tod
Schoenberg, Arnold (1874-1951)	Brettl-Lieder (Cabaret Songs) ("Galathea" and "Gigerlette")

Performers

Renée Fleming	Soprano, Presenter
Jeremy Denk	Piano
Emerson String Quartet
Eugene Drucker	Violin
Philip Setzer	Violin
Lawrence Dutton	Viola
David Finckel	Cello
Paul Neubauer	Viola
Colin Carr	Cello

The finale of Renée Fleming's Perspectives series, Vienna: Window to Modernity is a thoughtful tribute to the time and place where the European musical tradition, under the influence of literary and visual arts, gave way to the 20th century.

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"I'm in love with Vienna": Renée Fleming and friends at Carnegie Hall

David Allen, 4th May

For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.

***11

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