Vienna: Window to Modernity

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Carnegie Hall: Stern Auditorium/Perelman Stage57th Street and, 7th Ave, New York, 10019, États-Unis

Dates/horaires selon le fuseau horaire de New York

Programme

Strauss, Richard (1864-1949)	Drei Lieder der Ophelia, Op.67
Brahms, Johannes (1833-1897)	Ophelia Lieder (Ophelia Songs)
Schönberg, Arnold (1874-1951)	La Nuit transfigurée (Verklärte Nacht), Op.4
Wagner, Richard (1813-1883)	Wesendonck Lieder: Im Treibhaus
Wagner, Richard (1813-1883)	Wesendonck Lieder: Träume
Brahms, Johannes (1833-1897)	Six Pièces pour piano (Klavierstücke): Intermezzo en la mineur, Op.118 no.1
Brahms, Johannes (1833-1897)	Six Pièces pour piano (Klavierstücke): Intermezzo en la majeur, Op.118 no.2
Weigl, Karl (1881-1949)	5 Songs for soprano and string quartet, Op.40 ("Trost" and "Regenlied")
Wellesz, Egon (1885-1974)	Sonnette der Elisabeth Barrett-Browning, Op.52b (no.5, "Mir scheint, das Angesicht der Welt verging")
Webern, Anton (1883-1945)	3 Pièces pour quatuor à cordes (et soprano)
Zeisl, Erich (1905-1959)	Mondbild: no. 1, Der Mond steht da
Zeisl, Erich (1905-1959)	Komm süsser Tod
Schönberg, Arnold (1874-1951)	Brettl-Lieder (Cabaret Songs) ("Galathea" and "Gigerlette")

Artistes

Renée Fleming	Soprano, Présentation
Jeremy Denk	Piano
Emerson String Quartet
Eugene Drucker	Violon
Philip Setzer	Violon
Lawrence Dutton	Alto
David Finckel	Violoncelle
Paul Neubauer	Alto
Colin Carr	Violoncelle

The finale of Renée Fleming's Perspectives series, Vienna: Window to Modernity is a thoughtful tribute to the time and place where the European musical tradition, under the influence of literary and visual arts, gave way to the 20th century.

Plan

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"I'm in love with Vienna": Renée Fleming and friends at Carnegie Hall

David Allen, 4th May

For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.

***11