Buscador de artículos | Mahler

¿Cómo está cambiando el mundo de la música clásica? Hemos analizado más de 31 000 eventos incluidos en nuestra web en 2023 y hemos examinado tendencias de un periodo de diez años.

Principal contrabassist of the Royal Stockholm Philharmonic Orchestra talks about why Mahler’s restless and volatile First Symphony is a highlight of any orchestra season.

From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.

The Finnish conductor talks about becoming Music Director at Singapore Symphony from 2026 – and creating programmes for the unique cultural melting pot that the orchestra sits at the centre of.

Kings Place, of the most successful new additions to the London music scene, sits in a rapidly changing King’s Cross – an intersection of new architecture, culture and heritage. 

NHK 交響楽団の首席ホルン奏者の今井仁志氏に、 マーラーの交響曲第 3 番について、曲との出会いや演奏の心構え、 自然への崇拝というテーマなどについて語っていただきました。

Hitoshi Imai, Principal Horn of the NHK Symphony Orchestra, talks about discovering and playing Mahler’s longest symphony, and its theme of reverence for nature.

This May, the world’s leading orchestras and soloists gather in Amsterdam for a grand celebration of all things Mahler – a city the composer described as his “second musical homeland”.

Creator Johan Idema talks about the “subtitles for symphonies” app, why Wolfgang was created and how it’s used.

Deutsche Grammophon’s STAGE+ has assembled a comprehensive archive of Karajan’s recordings, concert films and opera performances – which did much to define the sound of classical music in the 20th century.

One of the longest-running choral organisations in the UK, director Stephen Doughty talks about how the RSNO Chorus now boasts a panoply of other community choruses under its umbrella.

Kazuki Yamada’s infectious ebullience has rubbed off in a major way on the Birmingham orchestra, and this season they tackle a fleet of big symphonies: Bruckner’s, Mahler’s and Beethoven’s Ninths.

Presenting all nine symphonies and the song cycles over ten days in Amsterdam, the Mahler Festival features the Royal Concertgebouw, Budapest Festival, NHK Symphony, Chicago Symphony and Berlin Philharmonic Orchestras.

The NHK Symphony has pioneered Mahler performance in Japan – so it’s fitting that Mahler’s gargantuan Eighth Symphony will mark their 2000th subscription concert in December.

Ahead of the release of Maestro, starring and directed by Bradley Cooper, Leonard Bernstein’s oldest daughter discusses her father’s impact on her life and the music world at large.

The Singaporean conductor is soon to become Principal Guest Conductor at the Dresden Philharmonic. He talks about Mahler and Strauss, world premieres, creating bridges between West and East, and classical music’s future.

His symphonies are now mainstays of orchestra seasons, but during his lifetime Gustav Mahler was more famous as a rigorous conductor, his music misunderstood and scorned. 

This May, the Rotterdam Philharmonic perform Mahler’s Symphony no. 2 on tour throughout the Netherlands and Germany, in commemoration of the destructive bombing the city suffered in 1940.

The founder and CEO of classical platform Idagio talks streaming, immersive experiences and about getting a better deal for artists.

The German composer discusses the long awaited world premiere of his new work Prague Symphony with the Czech Philharmonic, which sets fragments of Franz Kafka for two singers and orchestra.

En ce lendemain de Saint-Valentin, examinons comment l'activité créatrice des compositrices a pu être influencée par leur vie sentimentale.

The orchestra's new Chief Conductor talks about identity, Czechness, Tchaikovsky, Mahler, new music and why musicians must emulate the tiki-taka football of Barcelona.

Gustav Mahler's granddaughter talks about the conducting competition that bears his name

The American mezzo shares her experiences of singing Mahler's emotional song collection and how important it is to tell the story in a truthful way.

It was described as “the first nihilist work in the history of music” by the conductor Wilhelm Furtwängler. We look at the story behind Mahler’s Sixth Symphony.