En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Assad

A new work by Clarice Assad, featuring Principal Bassoon Daniel Matsukawa and Yannick Nézet-Séguin, comes sandwiched between impish Berio and complex Rachmaninov.

New works by Michael Abels and Clarice Assad, coupled with Britten’s early Sinfonietta and Beethoven’s Third Piano Concerto, with the impeccable Yefim Bronfman, made for an exceptional concert conducted by Robert Spano.

With classical works by jazz artists Iverson, Lehman and Assad, American Composers Orchestra wound up its fortieth anniversary season, and looked ahead to continued adventures in diversity.

On the final night of their mammoth European tour, the São Paulo Symphony Orchestra played a brilliantly energetic programme to a delighted Bridgewater Hall audience. There was a great deal to commend in the playing, despite some capricious tempo choices in Mahler’s first symphony.

There is a tendency in the reviews of Marin Alsop to start by mentioning the obvious; that is, she is the first female conductor to have conducted the last night of the Proms and that she is the first female Music Director of the Baltimore Symphony Orchestra. So let me start with the surprising: that Alsop is Irish.