En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | English | Alice Babidge

The Met unveils Simon Stone’s new production is set in a working class American town in decline... an interesting concept that ultimately fails to overcome its own cluttered ideas.

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Nueva York

27 abr 2022

The Met’s new Lucia: a good idea poorly executed by Simon Stone

Por Ako Imamura

Viena

Emojis instead of emotions in Simon Stone's Traviata in Vienna

Por Laura Servidei, 18 septiembre 2021

Pretty Yende, Frédéric Antoun and Ludovic Tézier star in Stone’s production at the Wiener Staatsoper, where the orchestra did its magic under the baton of Nicola Luisotti.

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Viena

19 sep 2021

Emojis instead of emotions in Simon Stone's Traviata in Vienna

Por Laura Servidei

Berlín

M: a murderer hiding in plain sight at Komische Oper

Por Zenaida des Aubris, 05 mayo 2019

M – a city searches for a murderer, by Moritz Eggert and Barrie Kosky, receives its world premiere at the Komische Oper Berlin.

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Berlín

07 may 2019

M: a murderer hiding in plain sight at Komische Oper

Por Zenaida des Aubris

Adelaide

To sing or not to sing: Brett Dean's Hamlet in Adelaide

Por Sandra Bowdler, 02 marzo 2018

Brett Dean's Hamlet is an extremely powerful theatrical experience, excelling in all aspects of production, singing and musical values, but is it an opera?

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Adelaide

03 mar 2018

To sing or not to sing: Hamlet in Adelaide

Por Sandra Bowdler

Glyndebourne

Shakespeare boldly adapted by Brett Dean: Hamlet at Glyndebourne

Por David Karlin, 11 junio 2017

Brett Dean treats Shakespeare's behemoth as a timeless story told in language that has become timeless; no effort is spared in elucidating and amplifying that story.

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Glyndebourne

12 jun 2017

Hamlet boldly adapted by Brett Dean

Por David Karlin

Oslo

Keeping up appearances: Pelléas et Mélisande finally receives its Norwegian première

Por Aksel Tollåli, 07 abril 2017

After over a century, Debussy's Pelléas et Mélisande finally received its Norwegian première in a fascinating production by Barbora Horáková Joly.

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Oslo

10 abr 2017

Keeping up appearances: Pelléas et Mélisande

Por Aksel Tollåli

Melbourne

The way the world ends: brilliant Götterdämmerung crowns Melbourne cycle

Por David Larkin, 28 noviembre 2016

The final instalment of the Melbourne Ring is vividly brought to life by excellent singing, an adaptable set, and committed playing from the pit.

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Melbourne

29 nov 2016

The way the world ends

Por David Larkin

Melbourne

Treasure of the world: Vinke’s heroics ensure a memorable Siegfried in Melbourne

Por David Larkin, 25 noviembre 2016

A combination of ingenious sets, truly heroic singing in the title role by Stefan Vinke, and excellence throughout the rest of the cast makes the Melbourne Siegfried an unmissible highlight of the Ring so far.

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Melbourne

27 nov 2016

Vinke ensures a memorable Siegfried in Melbourne

Por David Larkin

Melbourne

Spirals out of control: extraordinary singing in Die Walküre in Melbourne

Por David Larkin, 23 noviembre 2016

On a night of technical delays and extraordinary singing, Opera Australia's revival of Die Walküre is particularly memorable for Amber Wagner's Sieglinde and Lise Lindstrom's Brünnhilde.

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Melbourne

25 nov 2016

Extraordinary singing in Die Walküre in Melbourne

Por David Larkin

Melbourne

Bring on the dancing girls: Rheingold redux in Melbourne

Por David Larkin, 21 noviembre 2016

The revival of Neil Armfield's Melbourne Ring is relaunched with a successful Rheingold, sensitively conducted by Pietari Inkinen, with an especially fine performance from Warwick Fyfe as Alberich.

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Melbourne

22 nov 2016

Bring on the dancing girls: Rheingold redux in Melbourne

Por David Larkin