Keeping up appearances: Pelléas et Mélisande

Por Aksel Tollåli, 10 abril 2017

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“Joly embraced the episodic nature of the opera, blurring the transitions between scenes”

Crítica hecha desde Oslo Opera House, Main Stage, Oslo el 7 abril 2017

Debussy, Pelléas et Mélisande

Norwegian National Opera

Karl-Heinz Steffens, Dirección

Barbora Horáková, Dirección de escena

Ralph Myers, Diseño de escena

Alice Babidge, Diseño de vestuario

Edward Nelson, Pelléas

Susanna Hurrell, Mélisande

Paul Gay, Golaud

Anders Lorentzson, Arkel

Randi Stene, Geneviève

Aksel Rykkvin, Yniold

Norwegian National Opera Orchestra

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Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

****1

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Aksel Tollåli, 15th February

Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.

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Aksel Tollåli, 29th May

Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.

***11

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Aksel Tollåli, 20th January

The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.

**111

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Aksel Tollåli, 25th November

Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.

*****

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Aksel Tollåli, 14th October

François de Carpentries' Oslo production of The Barber of Seville was both unfunny and underwhelming.

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Aksel Tollåli

Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.

Keeping up appearances: Pelléas et Mélisande finally receives its Norwegian première