En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Annemarie Kremer

Juliana Zara and Annemarie Kremer lead the cast in a riotous, yet deeply touching, new production from Nederlandse Reisopera. 

L'œuvre de Berg était présentée pour la première fois en Principauté, avec une distribution efficace et une mise en scène fascinante signée Michel Fau.

Die Wiederaufnahme von Puccinis Klassiker kann letztlich nicht begeistern, was zu einem Gutteil der schwachen Besetzung angelastet werden muss.

25 years after its creation in Bayreuth, Director Heiner Müller's legendary production of Tristan und Isolde was recreated and presented in Linz with committed performers with great success.

Ingo Kerkhof’s specious contemporary staging was only redeemed by a gruesome scalp and some marvellous playing in the pit.   

Tannhäuser qui chante en français ? Il n’en fallait pas plus pour attiser notre curiosité et nous précipiter à l’Opéra de Monte-Carlo qui présentait pour la toute première fois depuis 1861 cette singulière version créée à cette date pour Paris.

Ein uneingeschränktes „Bravi tutti“ ertönt für ausdrucksstarke Sänger und ein glänzendes Orchester in Korngolds selten gehörtem Mysterienspiel.

Opera North's Andrea Chénier at Leeds Grand Theatre directed by Annabel Arden is full of modern relevance and a fine start to the new season

Annemarie Kremer is a strong-willed, dramatically voiced Butterfly in Laurence Dale’s sensitive production.

A successful production for a scandalous opera which exercised a broad influence on the musical theatre of the 20th century.

This new production of Mozart’s final, and often overlooked, opera from John Fulljames and Opera North is neither a period piece nor a straightforward translation into our own time. Instead, it inhabits it own dark and austere world created by set designer Conor Murphy and Finn Ross, whose stylish abstract projections incorporate elements of government buildings both ancient and modern.

Bellini’s bel canto masterpiece Norma was once a staple of the operatic stage, performed by great sopranos such as Maria Callas and Joan Sutherland on a regular basis. Nowadays, despite containing one of the most famous arias of all time, it is performed less frequently.