En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Kenneth Tarver

Los preámbulos del Mayo francés se convierten en el escenario de la obra de Puccini, llevada al Palau de la Música de la mano de la Orquetra Simfònica del Vallès y un excelente reparto.

El Teatro Real abre su temporada del Bicentenario con la recuperación de la brillante producción de Claus Guth y un gran reparto liderado por Kurt Streit y Silvia Tro Santafé.

In her final Carnegie Hall appearance as principal guest conductor of the Philadelphia Orchestra, the French conductor leads Schumann’s Fourth Symphony and Mozart’s Requiem. 

In her first appearance with the orchestra this season, Nathalie Stutzmann offers overly tentative readings of Verklärte Nacht and Siegfried Idyll, alongside perfunctory excerpts from Don Giovanni.

Zurich Opera stages Tatjana Gürbaca’s production of Mozart’s La finta giardiniera. True to the opera buffa genre, it teems with silliness.

Laurence Cummings leads the FestspielOrchester Göttingen, the NDR Choir and an exemplary set of soloists led by in a definitive performance of Handel's oratorio.

In their generous all-Stravinsky programme, Ludovic Morlot and Seattle Symphony uncover the hidden beauties of the neglected Perséphone through an innovative collaboration with visual artist Michael Curry.

Continuing his celebration of the music of Hector Berlioz with the Seattle Symphony, Ludovic Morlot leads an enthralling performance of the epic Requiem.

To open the new year, Seattle Symphony music director Ludovic Morlot chose a standard work, Beethoven’s Ninth, prefaced with an unusual one by French composer Olivier Messaien. 

A well-worked revival of Elijah Moshinsky's production of Rossini's Barber of Seville offers gales of laughter and vocal delights at the Sydney Opera House, with starring roles for Paolo Bordogna, Anna Dowsley and Warwick Fyfe

Christophe Rousset and Les talens lyriques present a delightful concert performance of Rameau's five-in-one opéra-ballet Les Indes galantes.

What is there to say about Hector Berlioz’s Roméo et Juliette? A “dramatic symphony” in seven movements, featuring small and large choruses, and three soloists (two of whom sing for around five minutes each and one who sings for around 30), as well as a treasure trove of unusual instrumental combinations and sounds, it is safe to say this is something of an odd bird.