En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Thomas Forster

I have a theory that Kenneth MacMillan’s Romeo and Juliet is a perfect starter ballet. It is harder for experienced ballet regulars to work up the same enthusiasm for this ballet. 

Two very promising debuts in the lead roles and good performances in the supporting roles, made this an enjoyable Onegin.

Wheeldon lacks the imagination to take this story beyond that of a well-crafted adaptation of a beloved movie.

American Ballet Theatre shows its range with pieces from George Balanchine, Alonzo King, and Jessica Lang, but the dancing and choreography remain uneven throughout. 

Alexei Ratmansky's Ancient Greek take on Bolshoi-style dram-ballets gets its New York premiere as part of American Ballet Theatre's summer season at the Met.

The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.

Isabella Boylston, here leading ABT's Swan Lake still has that touching vulnerability that makes her so emotionally appealing but there is now also a soaring spirit that can be thrilling.

After 50 years, MacMillan’s Romeo and Juliet remains the standard by which all others are judged.

ABT has always been a place where stars shine brightest and this night had a whole constellation of them.

Change is in the air at Ballet San Jose, and Saturday night’s star-studded gala to welcome new artistic director José Manuel Carreño proved this in a big way.