Onegin is the Bridgerton of ballet

Chloe Misseldine as Tatiana and Thomas Forster as Onegin in John Cranko's Onegin

Catherine Hurlin as Olga and Aran Bell as Lensky in John Cranko's Onegin

Por Ivy Lin, 23 junio 2024

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“Onegin is anchored around several rather overwrought pas de deux”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 20 junio 2024

Onegin (John Cranko)

American Ballet Theatre

Santo Loquasto, Diseño de escena, Diseño de vestuario

James F Ingalls, Diseño de iluminación

Chloe Misseldine, Bailarín

Thomas Forster, Bailarín

Catherine Hurlin, Bailarín

Aran Bell, Bailarín

Jarod Curley, Bailarín

Emotivo Romeo y Julieta en el Municipal de Santiago

Pedro Carcey, 15th April

La producción del Municipal de Santiago de Romeo y Julieta ofreció una versión emotiva y de una narrativa eficaz para recrear la trágica historia de los amantes de Verona.

****1

Onegin: corazón trémulo

Alexandra Desvignes, 24th January

Con una pareja tan excelsa encabezando el drama, el Onegin de John Cranko resulta conmovedor;

****1

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

Hot ice: Osipova and Brændsrød sizzle in Cranko’s Onegin

Mark Pullinger, 3rd June

Natalia Osipova, a seasoned Tatiana, is joined by Lukas B Brændsrød, making his debut as Onegin in the summer return of John Cranko's take on Pushkin's classic verse novel.

*****

La première d’Onéguine, prélude aux adieux de Ganio et Pagliero

Laurine Mortha, 8th February

Le ballet de John Cranko sera la dernière danse de l’étoile Mathieu Ganio avant ses adieux à la scène, bientôt suivis de ceux de Ludmila Pagliero... ce qui rend la production d'autant plus bouleversante.

*****

The Royal Ballet in Onegin: supreme performances across the board

Graham Watts, 22nd January

The welcome revival of a borrowed jewel in The Royal Ballet's treasure chest of story ballets.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)