En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Gai Behar

Superbly balanced double bill comprising Kill Your Darlings and SAABA which highlighted the talents of the young dancers of Nederlands Dans Theater 2.

Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.

R.o.s.e is an immersive experience of a performance within a rave – not the most enjoyable way to appreciate the professional dancers.

A brief but excellent programme of five duets showcased on the main stage of the Den Norske Opera.  

Staatsballett Berlin continue its run of this popular double bill, 2 Chapters Love, named after Sharon Eyal’s work and a follow up to 2017’s to Love Chapter 2.

Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.

Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

NDT delivered, yet the triple-bill program never elevated itself beyond atmosphere and gimmicks.

Swedish contemporary dance company GöteborgsOperans Danskompani pushes the audience off balance with a quirky, compelling, and innovative double bill. 

La compagnie néerlandaise impressionne, maîtrisant à la perfection la technique exigeante et physique du chorégraphe chinois Tao Ye comme la subtile virtuosité de la pièce de Sharon Eyal et Gai Behar.

The final part of Sharon Eyal and Gai Behar's trilogy about love, leaves the audience hanging.

Sharon Eyal und Gai Behars neue Choreographie, Jakie, sprengt den Rahmen eines herkömmlichen Tanzabends.

Ballett am Rhein offered three pieces with no narrative, but this triple bill has broad appeal across the full spectrum of ballet and dance.

The dancers show a lot of promise in a programme that lacks flair or variation. 

Sharon Eyal und Gai Behars Choreographie erzählt von (Liebes)Glück und Einsamkeit.

Ein unvergesslicher Abend, der zeigt, wie unterschiedlich Musik in Tanz aufgehen kann und wie klein der Unterschied zwischen abstraktem Tanz und konkreter Deutung sein kann.

Fast-moving choreography, pulsating music and striking performances but blighted by some technical issues that need to be improved.

Nederlands Dans Theater 1’s new triple bill premieres Imre Van Opstal and Marne Van Opstal's Take Root alongside works by Sharon Eyal, Gai Behar and Crystal Pite. 

Sophisticated and fluid dance mixed with notable muscularity and strength in a woman-only choreographic programme 

Newcomers Imre van Opstal and Marne van Opstal present their first work alongside established choreographers as Sol Leon and Paul Lightfoot. A programme where new and old, humoristic and dark meet.

Ballet BC's Thursday night performance at The Joyce in NYC included a kitschy première from artistic director Emily Molnar, a quirky ensemble number from Sharon Eyal and Gai Behar and a truly beautiful work by Crystal Pite.

A phenomenal performance by NDT 2 given in Baden, some 20 minutes from Zurich, was the equivalent of shooting the high ball out of the park. 

The fifth program of City Center's 12th annual Fall for Dance Festival had something for everyone and it was all good.

Nederlands Dans Theater 2, the Dutch powerhouse's young ensemble brings a mixed programme to New York City