Ballet BC: Molnar / Pite / Eyal - Behar

Por Rachel Rizzuto, 03 junio 2016

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“a group of beautiful technicians”

Crítica hecha desde Joyce Theater, Nueva York el 2 junio 2016

Bill (Gai Behar, Sharon Eyal)

16+ and a Room (Emily Molnar)

Solo Echo (Crystal Pite)

Ballet BC

Sharon Eyal’s Into the Hairy at Sadler’s Wells

Deborah Weiss, 13th November

Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.

***11

Sharon Eyal and Gail Behar's R.o.s.e: innovative, but disappointing

Graham Watts, 10th July

R.o.s.e is an immersive experience of a performance within a rave – not the most enjoyable way to appreciate the professional dancers.

**111

Norwegian National Ballet's Dialogues II: brief but brilliant

Graham Watts, 3rd April

A brief but excellent programme of five duets showcased on the main stage of the Den Norske Opera.

***11

Love, humour and drama at the Staatsballett Berlin

Vikki Jane Vile, 15th November

Staatsballett Berlin continue its run of this popular double bill, 2 Chapters Love, named after Sharon Eyal’s work and a follow up to 2017’s to Love Chapter 2.

****1

Flickers of human fragility: Staatsballett Berlin’s superb double bill

Katja Vaghi, 28th October

Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.

****1

Les Ballets de Monte-Carlo dazzle in a new triple bill

Deborah Weiss, 24th April

Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

****1

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Rachel Rizzuto

Rachel Rizzuto received her BFA in dance performance and choreography from the University of Southern Mississippi. She is currently an editor for Dance Teacher magazine, and she is a founding member of modern dance company Mari Meade Dance Collective.

Ballet BC strongest in the sure hands of Crystal Pite