En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Francesca Hayward

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

A gala to be remembered for the sheer number of stellar performances both in classical music and all forms of dance.

Last seen in 2017, Christopher Wheeldon’s take on the classic Lewis Carroll novel returns to the Royal Opera House stage, or rather Royal Ballet and Opera as we must now call it.

The Royal Ballet gets off to an extraordinary start for its Ashton Celebrated season with some ravishing dancing on offer.

This tenth anniversary revival of Christopher Wheeldon's The Winter's Tale looks as fresh as on the original opening night.

An emotional rollercoaster showcasing the choreographic genius of Sir Kenneth MacMillan.

Highs and lows within a glamorous mixed bag of choreography are inevitable when people are travelling from around the world.

Kenneth MacMillan’s 50 year old ballet, Manon, holds up a mirror to our own times.

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

An arresting two-handed love story. 

Every decade or so, The Royal Ballet creates a new work that will endure in its signature collection, and there's little doubt that Woolf Works deserves its place among that elite.   

Even within a line-up boasting some of the greatest international stars from across the world, it is the youngest couple, making their UK debuts, who captivate the audience.

Sir Kenneth MacMillan’s Habsburg history lesson comes with a cast list as long as your arm, but the plots and intrigues ensure a gripping evening at the ballet.

Laura Esquivel’s extraordinary novel of recipes, romances and home remedies brought to life in Christopher Wheeldon and Joby Talbot's new creation. 

A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

Francesca Hayward is a captivating Juliet as Sir Kenneth MacMillan's hardy perennial is back for another long run at the Royal Opera House. 

Marianela Núñez possesses a shimmering, celestial radiance and Vadim Muntagirov is a Prince in his prime.

An evening of George Balanchine and Jerome Robbins at Covent Garden, topped by a beautifully poignant rendering of Dances at a Gathering.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

John Cranko's balletic take on Pushkin approaches its 100th performance by The Royal Ballet, opening this run with a magnificent Tatiana from the Russian star. 

A ballet of charming nonsense, led by a triumvirate of exceptional performances 

On the evidence of this performance, there is every reason to be cheerful.

The Firebird/A Month in the Country/Symphony in C is an effective and enjoyable programme to close The Royal Ballet's season.

This opener to a unique tri-city, same-day event celebrating Cunningham's centenary was a magical and tranquil collage.  

A new Swan Lake is a test for any ballet company. Expectations ran high, but Liam Scarlett's new production hit the target. 

Three of Kenneth MacMillan's first five works are once more wholly, or partially, revived in this outstanding and purposeful debut for the Viviana Durante Company  

Yet another revival of MacMillan's signature ballet.  Enlivened by tremendous performances, not least in the title role, and still a classic. But, how long will that pertain?   

Sir Peter Wright's enchanting vision of The Nutcracker continues to delight 

Virtuosity commanded the stage in the first half, drama and mood in the second, with Liam Scarlett’s new ballet a fitting tribute to the retiring Zenaida Yanowsky

A career defining performance by Edward Watson, well supported by a memorable cast

A return of the company's signature work found The Royal Ballet fielding an excellent cast led by Sarah Lamb and Vadim Muntagirov. 

If there is only one Nutcracker with which to herald the Christmas season, let it always be this one.    

The Royal Ballet revives Kenneth MacMillan’s The Invitation, to great public acclaim and with excellent performances in the main roles. The programme also features McGregor's new Obsidian Tear and Wheeldon's Within the Golden Hour.

Wayne McGregor pulls together a stellar all male cast for the Royal Ballet's world première of hisnew work, Obsidian Tear. 

The Royal Ballet's Giselle is classical ballet at its best, paying deep reverence to the original with some of the heavier elements refreshed. Excellently performed by Sarah Lamb and Matthew Golding. 

Peter Wright's excellent version of The Nutcracker returns to The Royal Ballet for a festive run, with several standout performances. 

Praise goes to Wayne McGregor, Alessandra Ferri and the Royal Ballet for their bold, modern and innovative treatment of Virginia Woolf's legacy.